"The Dailies" Exhibition by Thomas Demand

At the Sprüth Magers Gallery in London I recently saw the work of artist Thomas Demand. Thomas Demand is often known for making photographs of three-dimensional models that look like real images of rooms and other spaces. However for the exhibition the work that was displayed was different from his normal style. It is a collection of photographs that were studies everyday and mundane objects. Things you would often pass thinking nothing of it or in some case looking at it only as rubbish. Yet Thomas Demand almost forces the viewer to notice these day-to-day object that often go unnoticed and realise the beautiful in them.

In The Dailies, Demand for the first time experimented using an out of date process of printing called dye transfer, which involves fixing dyes with gelatin to ordinary paper. Very similar to technicolour, fixing each primary colour to the print paper one at a time. Demand chose to use this print process because its over saturated colour, however not garish effect. I found the style of print beautiful, it created an image depth not normally seen now a days, as well as an almost pop-art feel. While talking to one of the gallery staff, she informed me that this style of print process has actually stopped in production, meaning that no more of the gelatin fixing dyes are being made anymore. Meaning that is possible that Thomas Demand could have used up the last of the remaining supplies and these are the last photographs to ever be made in this process. Which I find weirdly upsetting as it make such rich and bold prints.

ShowStudio - In Your Face

I travelled to London with some friends and we came across a gallery called ShowStudio (1 - 9 Bruton Place, London, W1J 6LT) and by came across i mean searched for hours. I really wanted to see the exhibition that was being held called In Your Face, named because the work being shown is very bold and defiant. The exhibition show work ranging from fine art, sculpture, film, fashion and photography, yet they all shared the same idea of being 'in your face'. Coming from a BTEC Art & Design course I always find myself drawn toward all types of mediums in art not only photography, i look at the work displayed and get inspiration to add to my own practice.

I went because i heard that one of Nick Knight's photographic prints was on display but while there i found myself also very interested in the work shown elsewhere around the exhibition. All the work dealed with different ideas of portrait and I found this very interesting. I found the gallery very easy to move around in the and staff very willing to name and explain what the peices were about as none of the work came with text, perhaps to leave the veiwer to make you their own ideas of the work.

The work of Nick Knight that i went to see was 'Devon' (1997). It is a photograph of Japanese/American model/actress Devon Aoki dressed Alexander McQueen shot for the cover of the style magazine Visionaire in 1997. The photo is a combination of two visionaires in the fashion, a world famous fashion photographer and a world famous designer. The work is meant to be confrontational and thought-provoking, and captures Aoki with a dark, futuristic style. The colours are muted and cold, along with Aoki serious expression makes a powerful emotion come from the photo. As i stood in front of the image I felt as if she was also looking back at me, i feel this is very important in portrature.



Another display of work I found interesting was 'Sauna Faces' by Stephen Doherty, 2011. The pieces are created using crayon, coloured-pencil and watercolour on coloured paper. Sauna Faces is a series of illustrated characters of a mixture of regulars, one offs, or first timers at a gay sauna. Some are people he has met, others are constructs of what Doherty imagines must be commonly shared feelings among sauna-goers.

"Lonely, lovelorn, unlucky, messed-up, his drawings trace the lines of psychological tragedy and desire that overspread the faces of men who are constantly looking, and being looked at, on the prowl, yet unmistakably vulnerable and lost."

Though I didn’t know of the meaning behind the work while I was there, I could still understand the ideas of emotion he was trying to show in his use of colours and drawing style. I find it interesting that he is dealing with the emotions of people doing an act that I can imagine much of society look down upon, making them equal human beings.